Filter by Collection:
All Projection BoxesProjectionists' MemoriesArchival documentsJoan and Bill Pearson's scrap book imagesKinematograph Weekly Ideal Kinema

Filter by Decade:
All 1910s and 1920s1920s1930s1940s1950s1960s1970s1980s1990s2000s2010s

The Cinema Projectionist Archives hold a range of audio-visual resources documenting the working lives of cinema projectionists in Britain from the 1890s to the 2010s. Here you can find extracts from audio interviews with projectionists, videos, documents, magazine articles and possibly the world’s largest online collection of images of projection box. Navigate through the material by decade, theme, or type of material.
Breaking the Speed Limit (1922.12.21).jpg

01/11/2017
This cartoon, from December 1922, highlights a number of topical issues relating to film projection and good presentation. In the cartoon the projectionist can be seen running a film at a speed far greater than that intended. Before the arrival of…

Tags: Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick

film reel

21/03/2017
Projectionist Bill Pearson describes the period he spent projecting E.T. including the problems with the print and the effect that it had on him and the audience.

Tags: Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick

film reel

29/12/2015
Projectionist Neil Thompson describes the process of learning how to work as a projectionist including the importance of checking film prints when rewinding.

Tags: Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick

film reel

29/12/2015
Projectionist Neil Thompson describes the process of setting up and checking cinema sound systems.

Tags: Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick

film reel

29/12/2015
Projectionist Neil Thompson outlines the process of starting the film, checking sound levels and checking the aperture plates as part of good presentation.

Tags: Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick

film reel

29/12/2015
Projectionist Neil Thompson descibes the process of making-up film prints, including the projectionist's trick of leaving one frame on the leader to help reassembly.

Tags: Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick

film reel

29/12/2015
Projectionist Neil Thompson outlines his thoughts as being the last link in the creative process.

Tags: Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick

film reel

29/12/2015
Projectionist Neil Thompson describes the process of using automated projection systems from the 1980s onwards.

Tags: Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick

film reel

09/12/2015
Projectionist and cinema manager Phil Fawke describes the process of changing-over a film including replacing the carbon rods in the arc lamps.

Tags: Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick

film reel

09/12/2015
Projectionist and cinema manager Phil Fawke describes working as a relief projectionist during the war, and being told to show edited versions of films during children's matinees.

Tags: Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick

film reel

09/12/2015
Projectionist and cinema manager Phil Fawke describes the process of repairing film damage.

Tags: Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick

film reel

09/12/2015
Projectionist and cinema manager Phil Fawke describes his experience of the arrival of digital projection, the changes in the number of projectionists over time, getting used to using the digital projector and the benefits of digital on picture…

Tags: Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick

film reel

08/12/2015
Projectionist and BECTU representative Mick Corfield describes the process of starting a performance.

Tags: Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick

film reel

08/12/2015
Projectionist and BECTU representative Mick Corfield describes the erosion of presentation in multiplex cinemas.

Tags: Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick

film reel

08/12/2015
Projectionist and BECTU representative Mick Corfield describes is experiences of automated projection systems on the work of projectionists.

Tags: Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick

film reel

04/12/2015
Projectionist Mike Williams describes the process of rehearsing film to get them ready for screening.

Tags: Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick

film reel

04/12/2015
Projectionist Mike Williams provides an overview of presentation and showmanship in cinemas. He outlines how he was trained by the chief to uphold particular aesthetic standards and the impact that this has on the experience of the audience.

Tags: Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick

film reel

04/12/2015
Projectionist Mike Williams describes the process of selecting music to be played in the auditorium prior to film screenings.

Tags: Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick

film reel

04/12/2015
Projectionist Mike Williams describes the importance for projectionists’ work to be invisible.

Tags: Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick

Feeling like a projectionist (Mike Williams).mp3

Projectionist Mike Williams describes the qualities required of a projectionist and the associated feelings that come with the job.

Tags: Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick

film reel

03/12/2015
Projectionist Mike Williams describes the projectionist’s duties when the film was on screen, noting the importance of checking films during screenings.

Tags: Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick

film reel

01/12/2015
Projectionist Mike Williams explains the process of changing over from one projector to another between reels.

Tags: Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick Projection, projectionist, 35mm, Cinema, Film and Television Studies, University of Warwick


Output Formats

atom | dcmes-xml | json | omeka-xml | rss2