Projectionist Mike Williams describes the projectionist’s duties when the film was on screen, noting the importance of checking films during screenings.
Projectionist Mike Williams describes his early experiences of cinema-going as a child, his developing fascination with cinemas and the atmosphere and smell of cinemas.
Projectionist Mike Williams describes the other duties carried out by projectionists outside the projection box including an accident where he fell through the ceiling of the cinema auditorium during a film screening.
Projectionist Mike Williams provides an overview of presentation and showmanship in cinemas. He outlines how he was trained by the chief to uphold particular aesthetic standards and the impact that this has on the experience of the audience.
Projectionist Mike Williams describes a Welsh cinema with unconventional entry policies, comparing it so scenes from the comedy film The Smallest Show on Earth.
Projectionist and BECTU representative Mick Corfield describes his appointment as a cinema projectionists and finding out that his father used to be a projectionist as well.
Projectionist and BECTU representative Mick Corfield describes his experiences working as a relief projectionist in a variety of cinemas around the UK.
Projectionist and cinema manager Phil Fawke describes his experience of the arrival of digital projection, the changes in the number of projectionists over time, getting used to using the digital projector and the benefits of digital on picture…
Projectionist and cinema manager Phil Fawke describes working as a relief projectionist during the war, and being told to show edited versions of films during children's matinees.
Projectionist and cinema manager Phil Fawke describes taking newsreel films between local cinemas in Leamington Spa and picking up news footage of major sporting events from Birmingham airport.
Projectionist Neil Thompson descibes the process of making-up film prints, including the projectionist's trick of leaving one frame on the leader to help reassembly.
Projectionist Neil Thompson describes his morning routine, preparing for the day's screenings, cleaning the projection room and conducting other duties around the cinema.
Projectionist Neil Thompson describes the characteristics of polyester film, including its static properties, the difficultiy tearing it and the problems that these caused.
Projectionist Neil Thompson outlines the process of starting the film, checking sound levels and checking the aperture plates as part of good presentation.
Projectionist Neil Thompson describes the process of learning how to work as a projectionist including the importance of checking film prints when rewinding.
Projectionist Florence Barton describes getting the first Projectomatic automation machine in Coventry in the late 1950s. She also gives her unfavorable opinion of her male counterparts.
Projectionist Florence Barton describes being recruited as a 'projectionette' during the Second World War after the male projectionists were called up.
Projectionist Bill Pearson describes the period he spent projecting E.T. including the problems with the print and the effect that it had on him and the audience.
Projectionist Bill Pearson describes his move from working in New Street Station to becoming a projectionist. He also talks about striving for the job of Chief Projectionist.
Projectionist Joan Pearson describes some of the work she was expected to do as a woman in projection. This included cleaning the canopy on the cinema roof and maintaining the boiler.